We can now hear the reverb added to the snare. Everything sounds fine at the moment but if we try to solo the snare track we'll hear that the reverb return gets muted as well. This makes it inconvenient for us to audition our reverb with the snare.
We can fix this by using the solo safe function in Pro Tools. The solo button will be disabled and the return track will no longer be muted when we solo another track. To send another track to the reverb plugin, we can simply duplicate the send to another track. Alternatively, you can click on the empty send, go to tracks and select the reverb return track.
Creating a delay effect is identical to the process we have done for the reverb. Simply replace the reverb plugin with a delay plugin of your choice. Now that you understand how to add reverb and delays to your mixes, I hope you'll have fun using them in your mixes. Leave a like if you like this video, or leave a comment below telling us why.
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Hot Latest. In the days when studios always had a hardware mixer, functions such as talkback, mono fold-down and speaker switching would be handled from its master section. You will need some spare inputs and outputs on your interface to enable some of these features.
If you have your stereo monitor speakers fed directly from a pair of interface outputs, and your interface does not itself have an output level control, the first problem you need to resolve is how to adjust the monitor speaker volume. I have lost count of the number of users I have seen use the master fader on the session as the monitor level control. This is OK up to a point, until you come to bounce out your mix, at which point the master fader level matters a lot — not least because, in Pro Tools, the master fader track is the one place where the inserts are post-fade.
If you have any dynamics plug-ins on your master fader channel, adjusting the master fader will change the level of audio going into these plug-ins and increase or decrease the amount of compression being applied.
To get around this, we need to create a dedicated output for your monitor speakers with its own level control. This process will be easier if you have an understanding of how the Pro Tools mixer and routing are structured. Screen 1: A simple monitor control setup: the two stems left feed the Mastering Track Aux input, which hosts any master bus processing. This, in turn, feeds an audio track that can be used to record bounces, and the Monitor Output Aux, which feeds studio monitors.
The first step is to create a dedicated stereo output from Pro Tools to your monitors. Create an Aux track, and set its input to your main mix bus and its output to a pair of physical outputs on your interface.
Screen 1 shows a simple example. As the name suggests, this Mastering Track hosts any plug-ins I want to apply to the whole mix.
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